深掘りスウェアリンジェン「インヴィクタ」合奏レッスン - 楽曲分析&演奏解釈

What do you think the first note is like? From a Kazuhoshi perspective , it starts with a note like this that comes on top of this one. Well, right from the start, Suaringen gives off a somewhat monotonous image, but they're really throwing this in right from the beginning . It's a double door, with the ad door placed on top of the door

. It comes with this kind of sound, and even from a bedoa perspective, it starts with Mi-Re-Do-Re, beginning with Yo. In that case, I think a kind of poignant feeling like "Mi-Re-Do-Re-Si" instead of "Mi-Re-Do-Re" naturally arises. And then the auto-battle comes in with a "bang bang" sound. I'd like to keep that kind of water of Wasei in mind as I work on it, so please try to express that circular feeling through pronunciation and depth of sound. Please do the head

one more time. Nowadays, everything gets erased by a whole note. If the

melody players were actually woodwinds, I think we could use a few more people, but with this number, those of you who are laying down heavy notes with whole notes ca n't cover that carpet, so you have to use accents and turns. Considering the balance of the number of people and the acoustics of this venue, I think we'd have to cut about 30% to make it work

. let's do it .

Please provide the melody. From the head. Ah, can you tell that this is

roughly how it's moving with the sound of episode 3? When you do that, the chords are too close together, so you can't hear the melody line, and the three dumpling brothers just keep sounding the same like this . No, the melody line is E-D-C-D-B , so I'll give a 23-20% discount to anyone who doesn't sing those notes